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Desire --- Theological anthropology --- Religious aspects --- Christianity --- Christianity
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General ethics --- Lust --- Religious aspects --- Christianity. --- Carnal desire --- Concupiscence --- Lasciviousness --- Lechery --- Licentiousness --- Sexual lust --- Religious aspects&delete& --- Christianity --- Desire --- Sexual excitement --- Deadly sins
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Psychoanalysis and literature --- Drama --- Mimesis in literature. --- Envy in literature. --- Desire in literature. --- Psychological aspects. --- Shakespeare, William, --- Knowledge --- Psychology.
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Presented in chronological order, these previously uncollected essays of René Girard's reflections on Oedipus are updated and the source references completed by Mark R. Anspach
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Depuis toujours, l'opéra fascine : peut-être parce qu'il tente, plus que tout autre création artistique de retrouver l'objet perdu : la Voix. Trois opéras : Don Giovanni de Mozart, l'opéra des opéras, Il monda delta luna de Haydn, à la frontière du baroque et du classique, Il matrimonio segreto de Cimarosa, trois opéras diriges musicalement par Marie-Christine Forget et iris en scène par Jean-Michel Vivès, dans le cadre du Festival de Gattières, " le village le plus lyrique de France ", ont mobilisé l'intérêt d'éminents spécialistes, psychanalystes et musicologues (Jean Pierre Winter, Alain Didier-Weill, Michel Poizat:..) autour de questions essentielles telles que ; le Désir, l'illusion ou l'inquiétante étrangeté. La lecture des différentes interventions laisse apparaître qu'à travers ces trois thèmes centraux de la psychanalyse se pose la question plus générale, pour paraphraser Lacan, du chant et de la fonction de la parole et de la musique dans l'opéra. M.Poizat : " La musique, c'est le langage moins le sens disait Lévi Strauss, le discours de Don Juan, c'est le langage dans l'illusion du sens... Avec Don Giovanni, pour la première fois, une oeuvre d'opéra participe directement de la création d'un mythe... Dans cet opéra, l'effet de subversion de la parole se produit par la présentification de la Voix comme telle, notamment par le cri ".
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What if psychoanalysis had chosen Antigone rather than Oedipus? This book traces the relation between ethics and desire in important philosophical texts that focus on femininity and use Antigone as their model. It shows that the notion of feminine desire is conditioned by a view of women as being prone to excesses and deficiencies in relation to ethical norms and rules. Sjöholm explains Mary Wollstonecraft's work, as well as readings of Antigone by G.W.F. Hegel, Martin Heidegger, Luce Irigaray, Jacques Lacan, and Judith Butler. This book introduces the concept of the "Antigone complex" in order to illuminate the obscure and multifaceted question of feminine desire, which has given rise to the fascination of generations of philosophers and other theoreticians, as well as readers and spectators. At the same time the book argues for a notion of desire that is intrinsically related to ethics. The ethical question posed by Antigone, and explored in the book, is: what determines those actions that one must do, as opposed to those that one ought to do?
Antigone (Greek mythology). --- Desire (Philosophy). --- Femininity (Philosophy). --- Feminist ethics. --- Antigone (Greek mythology) --- Antigone (Griekse mythologie) --- Antigone (Mythologie grecque) --- Begeerte (Filosofie) --- Desire (Philosophy) --- Désir (Philosophie) --- Ethiek [Feministische ] --- Ethique féministe --- Femininity (Philosophy) --- Feminist ethics --- Feministische ethiek --- Féminité (Philosophie) --- Vrouwelijkheid (Filosofie) --- Philosophical anthropology --- Philosophy --- Ethics --- Feminism --- Moral and ethical aspects --- Antigone --- Antígona --- Antygona --- 安提戈涅 --- アンティゴネー --- אנטיגונה --- 안티고네 --- Антигона --- Антыгона --- Антігона --- أنتيجون --- Ἀντιγόνη
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